Ambulance LTD
Yes, they're from New York. Yes, they had to add the "LTD" to their name because of a silly lawsuit. And yes, they've been featured on Fox's The OC. But, hear me out: Ambulance LTD are a heavily British-influenced indie pop band worth paying attention to. There's more than a hint of Smiths and Stone Roses, with pretty melodies and lovingly crafted harmonies. "Primitive (The Way I Treat You)" reminds me of Ride or early, shoegazer Sloan, with its insistent plinking of the keyboards and swirling guitar interplay, as frontman Marcus Congleton struts and spits out his too-hip speaking verses. The swooning "Sugar Pill" has a similar swagger, but has more in common with the cosmpolitan, vaguely threatening pop of the 80s, combining a chilly vibraphone, a straight-out-of-a-James-Bond-movie guitar riff, and a smashing breakdown worthy of a theme song; you almost wish you were watching the closing credits of a spy caper. Meanwhile, the anthemic "Swim" delights in its own dreamy sweetness.
Remember big, big, atmospheric rock, lovingly crafted with swelling guitars and the bravado of youth? I guess it never left. So turn your iPod's volume way, way up and basked in the envelope of gorgeous, lush sound.
Ambulance LTD - Sugar Pill
Ambulance LTD - Primitive (The Way I Treat You)
Ambulance LTD - Swim
Ambulance LTD official site. Buy their self-titled debut on Amazon.
Posted by Queen of the Front Row on 02.12.05 at 5:17 PM
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The Dears
Now, please don't think poorly of me, but I'm going to recommend another one of those collective-type bands to you (c.f. Dogs Die in Hot Cars). They also happen to be part of the intensely eclectic and trendy Montreal "scene". And they're a bit grand and cinematic and melodramatic. And they're a retro-pastiche band. Sort of.
Here's the thing: I feel like The Dears are too often rather unfairly compared to the halcyon days of Britpop, ca. Pulp and Blur and Gene and Suede, with a dotted line that has them reporting directly to The Smiths. And yeah, sure, those influences are there -- especially on the band's earlier recordings. But on their new album, No Cities Left, The Dears seem to have something else on their minds too -- something bigger, something grander, maybe, than just reproducing your average retro-tinged Britpop song.
First off, The Dears are definitely not stuck in the 80s or 90s -- they're off the timeline somewhere, peering out with a periscope and snatching snippets of influence from the entirety of the 20th century, not just its ultimate and pentultimate decades. Secondly, remember: They're from Canada.
Now, don't start grousing about how now here's some other collective-type band from Canada that makes big, sweeping, musical gestures straight from the heart. The Dears bring more crunchy pop hooks than the Arcade Fire; they're a little more artsty-fartsy than Broken Social Scene and a little less dirty-minded than The Hidden Cameras.
In short, The Dears serve up a potent, heady musical melange: A passionate but bleak world view intersecting with off-kilter chamber pop. This is what happens when people who think too much make music. There's saxpohones, flute riffs, strings, xylophones, feedback, and screaming. Because of course these things all go together -- you knew that!
And, far from having your basic moody Britpop lyrics that are a photocopy of "I was happy in the haze of a drunken hour/but heaven knows I'm miserable now" -- not that there's anything wrong with that mind you -- The Dears seem obsessed with love, death, and destruction (in that order). This is music that isn't afraid of blood and heartbreak and revolution; this is music that isn't afraid to leave you without a neat and tidy ending.
The Dears - Lost in the Plot
The Dears - 22: The Death of All the Romance
The Dears - No Return
The Dears - Heartless Romantic
The Dears' official website has links to sites with more sample tracks. Buy their lastest album, No Cities Left from Amazon.
Posted by Little Miss Rock'n'Roll on 02.12.05 at 1:01 AM
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Jason Falkner
Singer/songwriter Jason Falkner is probably known best for his role in power popsters Jellyfish and the shortly lived Grays, but he's been a steady figure in the pop scene for years. Falkner, a multi-instrumentalist and recording studio whiz, has spent the last couple of years working with other well-known musicians, the likes of whom include Air, Brendan Benson, The Lilys, and Eric Matthews for starters. Thusly, he hasn't had a proper album of new material since 1999 or thereabouts. However, Falkner's previous works contain top-notch songwriting with smart pop melodies and cunningly clever hooks.
The rollicking kiss-off and crunchy guitars of "Author Unknown" and quiet majesty in the swelling strings and chorus of voices in "The Plan" are up there with anything Matthew Sweet's ever pulled out of his back pocket. And the surprisingly gentle and sweet "She Goes to Bed" holds its own in the pop canon sitting next to McCartney, Fountains of Wayne, and the like. Falkner's earliest influences include the Zombies and the Kinks and we the audience can pretty much extrapolate from there; his melodies worm their way into your brain and refuse to leave. He'll be playing with a full band at SXSW this year, and I, for one, am very excited since he rarely plays outside California.
Jason Falkner - Author Unknown
Jason Falkner - The Plan
Jason Falkner - She Goes To Bed
Jason Falkner - I Live
Jason Falkner fan site. Jason Falkner on the iTunes Music Store. Buy Author Unknown and Can You Still Feel? from Amazon.
Posted by Queen of the Front Row on 02.11.05 at 1:02 PM
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Kathy McCarty
There was a weird convergence of Daniel Johnston related stuff in the collective consciousness in 2004: There was a Johnston tribute record featuring of-the-moment artists like TV on The Radio, Death Cab for Cutie, and Bright Eyes. A bunch of us crazy Austin kids saved Johnston's "HI, HOW ARE YOU?" graffiti on the side of the old Sound Exchange building (yes, Spoon fans, that Sound Exchange) from being demolished when a Baja Fresh franchise moved into that space. And Before Sunset, the sequel to Austin director Richard Linklater's 1994 film Before Sunrise, was released. Before Sunrise featured K. (better known as Kathy) McCarty, formerly of Austin art punk fixtures Glass Eye, covering Johnston's "Living Life" as its end title song.
So, after all that, it seems only logical that 2005 would see the re-release of McCarty's brilliant but long out-of-print album of Johnston covers, Dead Dog's Eyeball. This is probably one of my favorite records of all time -- I think if I ever move away from Austin -- living somewhere like Fargo, ND or London -- this will be the record to listen to when I'm homesick. It's the perfect combination of two Austin icons.
McCarty's voice is so clear and stunning; the production is subdued and doesn't overpower Johnston's exquisite little songs. This album truly is perfection. (Is that enough adjectives, you think? I mean them all, I truly do!)
The Bar/None site reports that the new edition of Dead Dog's Eyeball will feature extra tracks and videos, including one by Linklater. And, in what I imagine is in conjunction with this release, McCarty will be playing at SXSW. And, if I'm not mistaken, it will be her first appearance at the festival since 2001.
I really wish I had some Glass Eye mp3s to share, but alas, I do not. But here are a few tracks from the original pressing of Dead Dog's Eyeball. I'm so tempted to post nearly every track, but I know The Queen of the Front Row would kill me for that!
K. McCarty - Living Life
K. McCarty - I Am A Baby (In My Universe)
K. McCarty - Desperate Man Blues
K. McCarty - Golly Gee
News on the Bar/None website announced the album would be re-released in January 2005, but there's no sign of it yet.
Posted by Little Miss Rock'n'Roll on 02.11.05 at 1:03 AM
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The Impossible Shapes
Hailing from Bloomington, Indiana, the Impossible Shapes are a hidden gem of the indie rock scene. Inspired by the fuzzy beauty of Olivia Tremor Control and Guided by Voices, the foursome have been making winning, layered, relaxed lo-fi music since high school. Fans of Animal Collective and Circulatory System will find much to appreciate in the sometimes weird but always accessible Impossible Shapes.
Equal parts captivating, humorous, and mysterious, their psychedelic-flavored pop shows a polish appropriate for an incredibly prolific band, one which is now on its fifth album. The songs, often less than two minutes long, showcase everything from ominous cellos to jangly banjo to free-spirited choruses of intertwined voices, like an country orchestra waiting just behind the curtain. I've never been to Indiana, but this sounds like music that can only exist in darkened barns, empty Midwestern towns, quiet rolling hills, drunken country boys on school nights, with songs sprawling over the river and through the woods.
The Impossible Shapes - Pan-ther
The Impossible Shapes - The Perfect Timing
The Impossible Shapes - Bomb
The Impossible Shapes' official web site. Buy from iTunes Music Store. Buy their latest album, Horus, from Amazon, or Secretly Canadian.
Posted by Queen of the Front Row on 02.10.05 at 4:04 PM
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Dogs Die in Hot Cars
I think we can all agree that at this point in time, we may be approaching a critical mass of dark, angular New Wave/No Wave repro bands. On the other hand, there's clearly there's not enough bands paying homage to the bright and chipper ridiculousness of early 80's pop. So, thank goodness for Glasgow's (rather unfortunately named) Dogs Die In Hot Cars.
It drove me mad for weeks. Literally. Dogs Die In Hot Cars reminded me of another band, a band from my childhood. The kind of band that had videos on MTV full of people skipping through the dusty Australian outback or the streets of an English town dressed in overalls. But I couldn't decide which: XTC? Squeeze? Men Without Hats? Dexy's Midnight Runners? Talking Heads? Echo and the Bunnymen? The answer was a resounding yes -- the band is beholden to all these bands in one way or another, but refreshingly, doesn't move to perfectly emulate the sound of its predecessors.
Instead, Dogs Die In Hot Cars' anthemic songs are liberally sprinkled with of-the-moment pop culture references -- which make the songs sound glib and fluffy on first listen, but peel those lyrics away and hidden depths are revealed. The laundry list of hot actresses in "Celebrity Sanctum" transforms into a plaintive love song. The bratty complaints of "Lounger," when taken collectively, present a sprightly manifesto of disaffected youth. In short, the songs on the band's first album, Please Describe Yourself have a timeless quality in almost spite of themselves.
[Also, I promise, you'll totally want to dance around like a fool and whip out your Molly Ringwald-or-Judd Nelson-in-The Breakfast Club dance moves that you used to practice in front of the mirror when no one was around.]
Dogs Die In Hot Cars - Lounger
Dogs Die In Hot Cars - Apples & Oranges
Dogs Die in Hot Cars' official website. Their debut album, in a slightly altered order from the UK issue, is available from Amazon.
Posted by Little Miss Rock'n'Roll on 02.10.05 at 1:02 AM
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Erik Friedlander
A fixture in the New York music scene, Erik Friedlander is a critically acclaimed composer and improviser. His genre-crossing confuses your typical music fan; is he jazz or classical, or world music, or even, possibly, rock'n'roll? Live, his haunting, brooding, but surprisingly accessible cello work captivates audiences into silence. Most recently, he made a guest appearance on the upcoming Mountain Goats album. His last solo album, Maldoror, is a series of dark improvisations based upon fragments of poetry by Ducasse; he's also collaborated with a number of different musicians from all over the world and can usually be found playing with his quartet, Topaz. The following two songs are from their last album, Quake.
Erik Friedlander - Wire
Erik Friedlander - Fig
Official Erik Friedlander site. Erik Friedlander on iTunes Music Store. Buy Maldoror and Quake on Amazon.
Posted by Queen of the Front Row on 02.09.05 at 7:32 PM
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Shearwater
"When I hear recordings of us playing live recently, it sounds to me like we're heading for something, aiming at someplace, somewhere otherworldly and lovely and a little bit evil, and that we're closer now than before."
Otherworldy. Lovely. Evil. Those are the words of Jonathan Meiburg, co-lead singer, multi-instrumentalist, and ornithologist, that perfectly describe the music of his band, Shearwater. I'm a little hesitant to quote his words here -- but I feel that in order to describe the band to you, some input from a primary source -- besides the songs themselves -- is imperative.
Shearwater's music is intensely intimate and personal, but not self-absorbed. Whether belted out by Mr. Meiburg in his clear, reedy tenor or crooned in Will Sheff's slightly-off key rasp, the band's songs swoop organically -- from whispered, sinister moments to bombastic, triumphant melodic passages and back again -- like a predatory bird in flight, circling its quarry and going in for the kill.
For a long time, it seemed that Shearwater was a kind of hidden treasure of the Austin music scene -- just a little side project of members of the more well-known outfit, the eclectic Okkervil River. But over the past few years, since the release of their second album, Everybody Makes Mistakes, and on the heels a lengthy touring schedule in support of their third full-length, Winged Life, Shearwater has finally come into their own. And it's about damn time.
For one thing, they've settled, more or less into a stable lineup that includes (in addition to Messrs. Meiburg and Sheff on vocals, keyboards, guitar, banjo, and occasionally, the accordion) Kim Burke on the upright bass, Howard Draper on keyboards and lap steel, percussionist Thor Harris, and fiddler Travis Weller. Recent additions Howard and Travis round out the band's sound and their inclusion in the group has led to the appearance of a lovely, evil cover of Talk Talk's "A Rainbow" in live sets that culminates in several minutes of creepy instrumentals buzzing with feedback from the guitar and violin.
Last week, Shearwater released an EP, Thieves, that is the first of their recorded efforts to fully capture and crystallize the magic of their live performances (the first two songs below are taken from that release), and I hope that their next album will continue to do the same.
Shearwater - Mountain Laurel
Shearwater - I Can't Wait
Shearwater - Whipping Boy
Shearwater - Wedding Bells Are Breaking Up That Old Gang of Mine
Shearwater - Well, Benjamin
There are more songs available to download at Shearwater's official site. Buy their new EP, Thieves and latest full length, Winged Life, at Amazon.
Posted by Little Miss Rock'n'Roll on 02.09.05 at 2:10 AM
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The Hold Steady
These guys know all about the rock'n'roll lifestyle: anonymous encounters in bathroom stalls, bailing each other out of jail the next morning, downing cases of brews, visions of tattoos and cross-dressers and empty pill bottles, tell-tale signs of excess. The Hold Steady have been on more than a couple bad trips but have somehow survived. Their music channels the world of shady bars and shadier alleys; they make raucous, intelligent, bar rock, and that's not an oxymoron.
The deceptively smart Craig Finn doesn't look like a rock star, but the minute he steps onto the stage, he turns into the spazzy poet laureate of PBR, arms flailing, guitar wailing, coming-at-you-from-Brooklyn-via-the-Midwest, and the rest of the band draws upon the awesome power of AC/DC in the process, laying down shredding solos, propulsive drumming, and grooving basslines. I predict Finn's anthemic lines start to make their way into your vocabulary. "You gotta dance with who you came with" and "Killer parties almost killed me." He sputters, "I got bored when I didn't have a band, and so I started a band, man." Finn always dreams about a unified indie rock scene, and "everybody's a critic but most people are DJs." The Hold Steady have been to places you've never even dreamed of, and want you to know all about it.
So "say a prayer for the boys in the band" and rock the fuck out, even though you're seeing triple and don't know how you're getting home tonight.
All you sniffling indie kids? Hold steady.
The Hold Steady - The Swish
The Hold Steady - Barfruit Blues
The Hold Steady - You Gotta Dance (With Who You Came With)
The Hold Steady - Knuckles
The Hold Steady official site. Buy Almost Killed Me from iTunes Music Store, Amazon, Frenchkiss.
Posted by Queen of the Front Row on 02.08.05 at 8:04 PM
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Husky Rescue
Sometimes, you discover a band by serendipity, pure and simple. That kind of seems to be our theme for the day!
Husky Rescue, the Helsinki, Finland-based collective led by producer/multi-instrumentalist Marko Nyberg, was one of those serendipitous discoveries. I stumbled upon a mention of "Rainbow Flows" on the BBC music website in the fall of 2004. It sounded like just the thing for a mix CD I was constructing at the time. Intrigued, I sought out the song and was not disappointed.
I am a sucker for lushly cinematic and slightly sinister music with ethereal female vocals and strange samples. When I heard Husky Rescue's "Rainbow Flows," I discovered all these desirable qualities in one convenient package.
You may recognize the repurposed melody and fragmented lyrics on "Rainbow Flows" -- they're almost from Joni Mitchell's "Both Sides Now," but not quite. It's sort of like if Lars Von Trier had, Dogme-style, demanded a remake of Mitchell's original with different (but equally absurd) lyrics, and this was the result. (In fact, Nyberg cites Von Trier as an influence, along with fellow filmmakers Wim Wenders, David Lynch, and Lukas Moodysson.) Singer Reeta-Leena Korhola's chilly vocals float above the warm, round beats, breathing new life into Mitchell's song.
In fact, the entire album has a very cinematic feel to it, almost as if each track were a tiny score for a short film -- you can almost see the soft-focus late-night driving in "City Lights," the Scorsese-meets-Hichcock-meets-Tarantino collision in "Mean Street," and the imaginary montage under the spoken intro to "The Good Man."
Finding a band like Husky Rescue on the SXSW schedule is such a treat -- it's widely acknowledged that the five-piece touring edition of the band puts on a spectacular live show. Seeing as how Austin is quite a distance from Helsinki -- well, I'm feeling pretty darn grateful that the band is making an appearance at the festival this year.
Husky Rescue - Rainbow Flows
Husky Rescue - City Lights
Husky Rescue's official website. Their debut album, Country Falls, on Manchester's Catskill Records, is available in the US as an import release only. Order it from Amazon. (nb: It's also worth seeking out the band's first few 10" EPs released in 2004, if that kind of thing is your bag.)
(And hey, if you recognize the sample at the beginning of "Rainbow Flows," leave a comment -- It's familiar, but I can't quite place it.)
Posted by Little Miss Rock'n'Roll on 02.08.05 at 1:15 AM
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We Are Scientists
We Are Scientists are a New York trio via California who make grin-inducing pop-rock. I caught them by accident at a headlining gig at CBGB's and was blown away by the fullness of their sound, a full wall of rock composed of pure energy. They've got maddeningly catchy hooks, impossible-to-ignore rythmns, clever wordplay ("Nobody Move, Nobody Get Hurt"), and, of course, great hair, a prerequisite of being a band from Brooklyn, it seems.
If I were a cleverer person I might describe them as the danceability of Hot Hot Heat meets your favorite pop-punk band as a teenager, crossed with the charm of The Thermals. Over the course of a few years, they've gone from power pop (consider the perfection of "Selective Memory") to a more beat-oriented sound, while still retaining a refreshing, never-too-serious approach. With several self-released EPs to their name, the band is currently working on its first full length in Los Angeles.
We Are Scientists - Inaction
We Are Scientists - This Scene is Dead
We Are Scientists - Nobody Move, Nobody Get Hurt
We Are Scientists official site. Buy.
Posted by Queen of the Front Row on 02.07.05 at 8:16 PM
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The Meat Purveyors
Punk bluegrass? I can already see one incredulous eyebrow shoot up. Before you scroll past this entry, hear me out.
Okay, yeah, you may know The Gourds and their now-famous cover of Snoop Dogg's "Gin and Juice" or the raucous irreverence of the Bad Livers. (Sidebar: How is it that Austin is home to all these weird bluegrass-ish bands anyway?) Trust me, the song stylings of The Meat Purveyors are another matter entirely.
Could it be the sassy, world-weary vocals and on-stage shenanigans of frontwoman Jo Walston? Or the fearsome guitar work of Elvis Costello-bespectacled, Austin Music Hall of Fame member Bill Anderson? Perhaps it's the slappy stand-up bass lines of angelic-voiced, foul-mouthed Cherilyn Dimond, or the mandolin fireworks from Peter Stiles? (And don't forget the occasional assistance of Darcie Deaville's blistering turns on the fiddle!) Or perhaps it's the fact that, over the course of their wide and varied career, The Meat Purveyors have covered traditional tunes ("Working on a Building"), as well as offerings from Madonna, Abba, Ratt, Fleetwood Mac, Dolly Parton, and Ralph Stanley with aplomb -- all the while turning out sharp and witty original songs about ephedrine abuse ("Trucker's Speed" and "Little White Pills"), abusive relationships ("Little Sister" and "Circus Clown"), and excessive alcohol consumption ("Tallboy" and "How Can I Be So Thirsty Today?").
Well, maybe one can't pin down The Meat Purveyors' je ne sais quoi, but whatever it is, it's made the band big in Alaska. They were proud to announce, following a number of tour dates in the 49th state in early 2004, that they'd sold all TMP-branded underpants they'd taken along to hawk at the merch table.
And that, my friends, should clear up a number of questions you may have about The Meat Purveyors.
The rest can be answered by catching one of their live sets, which can only be described as a glorious, train wreck dance party -- be ready to throw down some whiskey shots and scream along with their cover of The Pocket FishRmen's classic yet all-too-timely anthem "We Kill Evil."
The Meat Purveyors - How Can I Be So Thirsty Today?
The Meat Purveyors - Daydreams About Night Things
The Meat Purveyors - Tallboy
The Meat Purveyors - Circus Clown
The Meat Purveyors - Lady Muleskinner
The Meat Purveyors @ the Bloodshot Records site. Buy their latest album, Pain by Numbers, from Amazon.
Posted by Little Miss Rock'n'Roll on 02.07.05 at 2:15 AM
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Bloc Party
Bloc Party's songs are packed full of propulsive, angular, taut guitar riffs, haunting vocal interplay and repetition, assault-ready drumming, and clever lines you'll be repeating for weeks to come. Relentlessly focused on originality, this up-and-coming East London quartet temper post-punk anthems with pop hooks and driving rhythms to get the blood flowing and the feet moving. Their stated influences are all over the map (Stanley Kubrick, Sonic Youth, and Richard Brautigan for starters), although they place sonically closest to Gang of Four, The Cure, and Wire. Followers and friends of Franz Ferdinand, Bloc Party differentiate themselves from the pack by taking on art-rock with a hungry punk aesthetic and an absolutely infectious energy.
Bloc Party - She's Hearing Voices
Bloc Party - The Answer
Bloc Party - Tulips
Bloc Party - Banquet
Bloc Party Official Web Site. Silent Alarm is officially released on March 22nd in the United States. Buy from Amazon.
Posted by Queen of the Front Row on 02.06.05 at 10:34 PM
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Hello, World
Greetings, folks on the in-tar-web! Welcome to See You in the Pit, an MP3 blog exclusively featuring artists who will be playing the SXSW Music Festival, which will take place March 16 - 21 this Spring in Austin, TX. Thousands of bands will descend on Austin, and it's hard to figure out exactly who to go see sometimes.
The Why
Your two hostesses here at See You in the Pit love music, the internet, and also like sharing their love of both a whole lot. The idea for a SXSW MP3 blog started when one of the pair created an iTunes playlist of SXSW artists for her coworkers, the other offered to add another dozen or two bands to the playlist, and the rest is history.
We started this little weblog because the best way to learn about music is to hear it. It's been said that writing about music is like dancing about architecture, so we are going to do our best to shake it to some flying buttresses, aluminum siding, and turrets and towers for the next month or so. (This weblog will self destruct on March 22nd. Just saying.)
The Who
Queen of the Front Row is a twenty-something geek in New York City who spends more time obsessing over and looking for new bands than she'd care to admit. A fan of music from an early age, she's done her time as a performer, music journalist, college radio DJ, and prefers to describe herself as a "professional fan" of sorts. She can usually be found watching live music in divey clubs in the East Village and on the Lower East Side, attending over a hundred shows a year.
Little Miss Rock'n'Roll has lived in Austin for ten years and knows a secret or two about you and that local musician you think you want to date. (Trust her on this one, not a good idea!) Her favorite bar staff are the fellows at The Parish (it's also her favorite venue) and swears by Sunday brunch at Enchiladas Y Mas as a hangover cure. And ladies, a word of advice: The first stall in the loo at Emo's doesn't have a latch, but is the cleanest one -- so take a pal to hold the door! Though Little Miss Rock'n'Roll enjoys hosting out-of-town friends in her teeny tiny apartment every year for a big SXSW blowout, she does have fond memories of the years when she attended just a handful of showcases all by her lonesome.
The Details
We are not affiliated with SXSW, any record label/bands/musicians, iTunes, Amazon, any secret government agencies, or your parents. We haven't been paid by anybody to endorse any bands, instead we have decided to focus on bands who are just under the radar, folks who we think need some well-deserved attention. The majority of the artists who focus on are in the "indie rock" vein but we hope to cover a variety of different genres in our short time together. Naturally, posts, comments, songs, and angry letters of indignation belong to those who wrote them in the first place.
MP3s for sampling purposes only and will be available only for a limited period of time (seven days) and we have the right to take down at any time. If you are an artist and are unhappy about MP3s being posted on this web site, please do not hesitate to contact us.
The Reason
It may go without saying, but See You in the Pit is done entirely out of love and the desire to spread the word about bands that we love. Please support the music makers by purchasing albums, going to shows, buying merchandise, and spreading the word! Information wants to be free, but musicians gotta eat.
So, have fun, listen to some songs, discover some artists you didn't know about before, and if you get the chance, see some live music.
We hope you like it.
Posted by Queen of the Front Row on 02.06.05 at 8:22 PM
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